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We know how he plotted to get one of his first high school flings.
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The best artists are the ones who open their full selves to us, even when it’s painful, and these days Kendrick Lamar leads on that front. This is where guitar music is headed next: fascinatingly deluded and lead by a man who can turn a line about “skunk and onion gravy” into a portrait of madness. While it may not be the most emotionally dark song he’s released, it is the most tangibly filthy-a slow, stinking groove of a tune, reeking of jazz cafe toilets and nicotine stained fingertips. Yet with “Dum Surfer,” a standout track from his latest album The OOZ, he emerges from some other underworldly place-a location that could be the sewer but might be the horrible pub where he’s spent the past few days marinating in a pile of sick and booze. Whether in his solo or band work, Archy Marshall has often operated above the ground, somewhere near the moon, or he’s been buried beneath the earth, somewhere close to the seabed.
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What they don’t have however is King Krule, an artist with a unique singular vision. It’s a disgustingly interesting place to be and most cities have a similarly debilitated piping system running underneath everything. The sewer under the streets of London is tightly packed with fatbergs and liquid excrement, horrible brown and greasy stuff squeezing its way through rotting condoms and past umteen rats.